BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

As we all know by now, the reception of Bruno Schulz’s work is a long story, vast in scope. 37 B. Schulz, Mityzacja rzeczywistości, in Opowiadania, p. famous essay Mityzacja rzeczywistosci [The Mythization of Reality], nMityzacja rzeczywistosci, in Bruno Schulz, Proza (Krakow: Wydawnictwo. Literackie. 2 “Poezja – to są krótkie spięcia sensu między słowami, raptowna regeneracja pierwot-nych mitów.” Schulz, Bruno: “Mityzacja rzeczywistości”. In: Schulz, B. and .

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There is not even one of our ideas that is not derived from mythology, a mythology that has been transformed, mutilated, remoulded. For that reason, every kind of poetry is an act of mythologization and tends to create myths about the world.

For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning. This website is using cookies. The word itself, left to its own devices, gravitates towards meaning.

Schulz, Bruno: Mityzacja rzeczywistości

Nienazwane nie istnieje dla nas. But knowledge, too, is nothing more than the construction of myths about the world, since myth resides in its very foundations and we cannot escape beyond myth.

Co nie ma sensu, nie jest dla nas rzeczywiste. It seeks this meaning on the heights and scaffolding of its artificial mounds. The driving force of human knowledge is the conviction that at the end of its investigations, it will discover the ultimate meaning of the world. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.

Bruno Schulz

Poetry arrives at the meaning of the world anticipando, deductively, on the basis of great and daring short-cuts and approximations. The word itself, left to its own devices, gravitates towards meaning. If you continue without changing your settings, we’ll assume that you are happy to receive all cookies on this website. The driving force of human knowledge is the conviction that at the end of its investigations, it will discover the ultimate meaning of the world.

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The image is also an offshoot of the original word, the word which was not yet a sign, but a myth, a story, or a meaning. That which has no meaning is not real for us.

When we employ commonplace words, we forget that they are fragments of ancient and eternal stories, that, like barbarians, we are building our homes out of fragments of sculptures and the statues of the gods. The life of the word resides in the fact that it tenses and strains to produce a thousand associations, like the quartered body of the snake of legend, whose separate pieces sought each other in the dark.

Visegrad Literature :: Schulz, Bruno: Mityzacja rzeczywistości

The essence of reality is meaning. In the hands of the poet, the word, as it were, comes to its senses about its essential meaning, it flourishes and develops spontaneously in keeping with its own laws, and regains its integrity.

The human spirit is tireless in its glossing of life with the aid of myths, in its ‘making sense’ of reality. The process has merely been restrained by the development of knowledge, has been pushed into a side channel, where it lives without understanding its true meaning.

And yet over time the word grows rigid, becomes immobilized, ceases to be the conductor of new meanings. Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.

Poetry arrives at the meaning of the world anticipando, deductively, on the basis of great and daring short-cuts and approximations.

Bruno Schulz | Open Library

The original word was an hallucination circling the light of meaning, was the great universal totality. The poet restores conductivity to words through new short-circuits, which arise out of their fusions.

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For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning. The spirit’s first and foremost function is to tell stories and to make up ‘tales’.

The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. But when in some way the injunctions of practice relax their strictures, when the word, released from such coercion, is left to its own devices and restored to its own laws, then a regression takes place within it, a backflow, and the word then returns to its former connections and becomes again complete in meaning – and this tendency of the word to return to its nursery, its yearning to revert to its origins, to its verbal homeland, we term poetry.

Translated by John M. The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. Philosophy is really philology, the creative exploration of the word.

Meaning is the element which bears humanity into the process of reality. The life of the rzeczysistoci resides in the fact that it tenses and strains to produce a thousand associations, like the quartered body of the snake of legend, whose separate pieces sought each other in the dark.

It is an absolute given. The image is also an offshoot of the original word, the word which was not yet a sign, but a myth, a story, or a meaning. It is an absolute given.

It cannot be derived from other givens. We use cookies to ensure that we give you the best experience on our website.